LOS ANGELES – Doom spelled dollars at the box office as the global-disaster tale 2012 opened at No. 1 domestically with $65 million and pulled in $225 million worldwide.
The Sony Pictures action saga tells the story of a scramble to save remnants of humanity aboard giant arks as the earth’s crust shifts and flood waters pour over most of the planet. With a cast led by John Cusack, Danny Glover and Chiwetel Ejiofor, 2012 was directed by doomsday specialist Roland Emmerich (“Independence Day,” “The Day After Tomorrow”).
Overseas, 2012 did $17.2 million in France, $15.3 million in Russia, $9.9 million in South Korea and $8.1 million in Spain.
Domestically, 2012 came in just shy of the $68.7 million opening weekend for The Day After Tomorrow. But Sony reported that its global total was the best ever for an original movie not based on an established franchise, brand or best-selling novel.
“Roland is that type of filmmaker that casts his net really wide,” said Rory Bruer, head of distribution for Sony. “The story is something people could really relate to. It’s a story of the survival of humanity.”
Disney’s A Christmas Carol slipped to No. 2 with $22.3 million, down only 26 percent from its No. 1 opening gross a weekend earlier. The Jim Carrey holiday adventure raised its 10-day total to $63.3 million.
Big films typically can drop 50 percent or more in the second weekend, but the strong hold for A Christmas Carol indicates it could have a long shelf life through the holidays.
Lionsgate’s acclaimed drama Precious: Based on the Novel `Push’ by Sapphire broke into the top-10 as it expanded to more theaters after a huge debut in limited release the previous weekend.
Finishing at No. 4, Precious took in $6.1 million in 174 theaters, averaging $35,000 a cinema and raising its 10-day total to $8.9 million. That compared to a $19,095 average in 3,404 theaters for 2012.
With a cast that includes Mo’Nique, Mariah Carey and Lenny Kravitz, “Precious” stars newcomer Gabourey Sidibe as a Harlem teen pulling herself out of an abyss of illiteracy, incest and domestic abuse.
Michael Jackson’s This Is It added $5.1 million domestically to raise its total to $67.2 million. The Sony release became the all-time top-grossing music documentary, passing the $65.3 million total of last year’s Hannah Montana & Miley Cyrus: Best of Both Worlds Concert.
The weekend’s other new wide release, Focus Features’ rock ‘n’ roll comedy Pirate Radio, opened a weak No. 11 with $2.9 million in 882 theaters, averaging $3,253 a cinema.
The ensemble cast of Pirate Radio features Philip Seymour Hoffman, Bill Nighy and Kenneth Branagh in a story about 1960s disc jockeys blasting illicit rock music into stodgy Britain from an offshore radio station aboard a tanker.
Starting in limited release, Fox Searchlight’s animated comedy Fantastic Mr. Fox drew big audiences with $260,000 in four theaters, for a whopping average of $65,000 a cinema. The film expands to nationwide release the day before Thanksgiving.
George Clooney, Meryl Streep and Bill Murray lead the voice cast of “Fantastic Mr. Fox,” adapted by director Wes Anderson from the Roald Dahl children’s book about a poultry-thieving fox and three evil farmers.
Paramount’s micro-budgeted horror flick Paranormal Activity pulled in $4.2 million to cross the $100 million mark. Shot for just $15,000, the supernatural tale rode a surge of online buzz to become a horror sensation, with a domestic gross now standing at $103.8 million.
Despite the big opening for 2012, Hollywood business dipped. Overall revenues came in at $140 million, down 6 percent from the same weekend a year ago, when the James Bond adventure “Quantum of Solace” led with $67.5 million.
Still, 2012 was a strong prelude as Hollywood gears up for Thanksgiving, one of the busiest weekends at movie theaters.
“It feels totally like summer,” said Paul Dergarabedian, box-office analyst for Hollywood.com. “This proves that if you put a summer movie anywhere in the release schedule, you can sometimes get summer numbers.”
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com.
Although final figures were not available at the time of printing this issue, they may be found online.
